Ivy Viola Washington 7th April 1929 - 19th July 2014
She was struggling with a shopping trolley just near Brixton Station. An elder woman, on her own, doing her shopping. She looked weary but determined. I was handing out flyers. She reached for one and I became curious that she was on her own. Where are your people, I asked her. She said her son lived in Kent, I can’t recall what else she said. We got chatting, I picked up her Guyanese accent. She sounded a bit like my mum and my mum’s friend Ms Monica – an old time Guyanese - a kind of sing-songy poshness and vibrancy.
She stood with me for a while - said she would like a massage one day. Sure I said, thinking it won’t ever happen. She began telling me a little of her life - particularly her trials with men - distrusting all of them – and firing "effings" here and there - as she told her stories. I tried hiding my shock! She seemed to be enjoying herself knowing she was surprising me, commanding my deepest interest.
Nearly a year later, I received a call from her. Mrs Washington - Ivy, she said. I had the feeling I was expected to know who she was – as if she was a “some body” – the “Mrs” title was never removed though I realised later she had been divorced for several years. She wanted that massage after all! Wow – was my thought because she was pretty robust, high large buttocks like that maid in the Tom and Jerry cartoons - her legs where she wanted the massage were thick.
The massage didn't happen. A surge of relief! But we became "friends." I learnt that she lived alone. The massage might have been a rouse to get me there - she really needed company - because those unbelievable numbers of fridge magnets, ornaments and every kind of random collectibles –those old time plastic tropical fruits, she blended with real ones and tricked you by asking if you wanted one - could only satisfy her loneliness so much. Oh she had dancing animals, singing teddies, illuminating angels, images of white Jesuses, but a black one somewhere too - pictures of her myriad trips abroad, and nuff postcards to complement. Her home needed to be on one of those decluttering programmes. It spun my head! But how she loved these possessions that some of us encouraged her to part with if only to give herself space to breathe.
Perhaps it was in a bid to see her in a clear, more tranquil space that over year ago, some months before the fall I dreamt the house was completely decluttered – you could see the floors, no carpet just plain wooden floors, blank walls upstairs and down. Mrs Washington, I said in the dream – you’ve cleaned out the place, it looks lovely. There was light coming through the windows – the house looked calm, she looked at peace. I told her the dream and she said it was good.
The dream must have been a sign of her demise, her spirit preparing the way for a final journey. Her survival from the fall – having been found four days later by neighbours - reaffirmed the powerful, strong, woman she was. That she should face that kind of trauma and pull through, come back with the fighting triumphant spirit we adored her for was phenomenal. So amazing it fooled us into believing she was invincible.
She was always so lively, though crying out for the pains - yet acknowledging her mouth to be still strong. She pulled you into her laughter – sometimes with her own jokes other times by showing you one of her performing animals that delighted her so much. I became drawn into her world, loving her as though I’d known her all my life. It turned out that she knew my mother, Lucille, they shared a best friend in Mrs Monica Wisdom – sisters of Unity a self-empowering brand of Christianity.
Mrs Washington was truly fascinating. She was so proud – had a magnetic personality. Her brand of life affirming expressions I’m not sure we can truly appreciate. She was sometimes very suspicious of people; was intensely protective of those possessions, perhaps precious only to her – none of which she could ever take with her to her final resting place.
The last year had robbed her of life, that vitality she used to give political commentary – she often filled in the gaps in my awareness of current affairs. The stroke shocked us and eventually left her in a deathlike state looking with sad lonely eyes through the window - no longer communicating as she had been (then there was minor recognition and sometimes even speaking). Last time I saw her was a few months ago on her birthday in April. She looked so cute - but there was a sign of finality - the demise clearly imminent. I needed to know precisely how old she was – and attempted to write down a figure and see if she would confirm or deny it to be her right age. She just looked at the paper (somewhere in there I thought she was thinking – “wha’ really wrang wid dis geurl.”
Her only child, Desmond later told me she was born in 1929, making her 85. Like many of her generation who came from the West Indies and Guyana, Mrs Washington arrived in the UK full of expectations of a better life. I once asked if she’d ever returned to Guyana – “when yoh come out da gutter wha’ sense it mek going back,”she said seriously. I tried not to feel offended. She was a grafter, was always blessed to find work. I don’t think this was down to her skills alone – I imagine it was also because she was a stunning film star beauty who simply charmed anyone who met her. I loved those beautiful black and white photos she had of herself in the house – particularly the one in her wedding dress – her husband nowhere in sight – just a gorgeous young woman poised to take on a new life.
But it was the hard work and sense of enterprise, the spirit of the time she came here that made it possible to buy her home in Brixton. Oh this was her ultimate achievement – her life and soul went into that home. It was an absolute pride, a joy to know that after great struggle she could declare that it was bought by the sheer hard work and determination – along with remarkable thriftiness. I listened to the story over and over. One had to. And respect the achievement. Her next achievement for which she was proud was sending for her son to join her in England. But she was the kind of woman you couldn’t help adopting as your mother. She embraced people. She was an icon on Medwin Street, having lived there for decades and well known to everyone who might hear her mouth before they saw her slow strutting with her trolley.
She had an independent spirit. We can all attest to her stubbornness. And her strength she owed to her God, whose name she never stopped calling. A lot of prayers went with those colourful curses with which she introduced herself to me. Everyone knows of her generosity, the charitable attitude she had of always giving. There wasn’t a day I visited I left empty handed – no amount of courteous refusal was acceptable. She always tried to get me to take these incontinent pads – she had a stash of them – for my mum – or just to send back home! It’s ok, I’d say. But the offer was always there. And she got extra medical supplies (random tablets) she thought they could use back home in Guyana. Her crazy extended to odd things she bought from the £1 shop, often insisting I take them; would look almost insulted when I refused. So I'll keep the three kitsch cups because they'll remind me how happy she looked when I accepted these strange but generous "gifts."
I loved her craziness - marvelling at her all the time. For different reasons - like why she held on so tightly to things – physically and mentally. Wondered when she would ever let them go – be resigned to quietude that comes with releasing. Or the way she had reached that elder's state of repeating stories as though telling you for the first, maybe second time. Or the fact that she had overcome burdens that would defeat many others, bring them down. But her laughter was always so vibrant – attesting to her spirited embrace of all the changing scenes of life.
She didn’t take her health issues as seriously as she should have. I felt gutted each time I went into KFC or Speedy Noodle on her request which I always felt obliged to fulfil. She hid the severity of her health problems – major ones like diabetes. The oily food, sweets, biscuits, crisps - especially quavers, she craved gave her childlike pleasure but was so contrary to her good health. That last time I saw her I had a sense would be the last. Prior to this my goodbyes were met with a familiar “okeydoke.” I had whispered to her that she had had a great life - there's nothing really needed here for her to keep onto. I told her I loved her. Told her that she had travelled to more places than I could ever dream of seeing. But she would encourage me to dream big, aim high, and tell me well done when I mentioned an achievement. I told her she had worked hard, despite serious obstacles, persevered to own her own house. I asked her to look at the camera, and smile because it was her birthday. The eyes looked up, the old time beauty yet proud to face the camera, but she looked so sad signalling the bittersweet sorrow we would all share at her passing on Saturday 19th July.
Mrs Washington often spoke fondly of her grandchildren, I recall Jason particularly, whom she said would always bring something for her. She leaves behind her sister Waveney, brother Dennis, Desmond her son, other grandchildren, Paris, Craig, Samar, Jonathon, a niece, Joan, nephew John; many friends, she always said Sister Monica was her best friend, neighbours, church family and people in the Brixton community who knew her. You will be missed by us all, Mrs Washington - witnesses to your enchanting, exuberant life. Our thanks to the nursing home in Kent where she passed away – when I visited she looked well cleaned and cared for by the staff there.
She went splendidly with the thunder and rain - her spirit beginning to travel in the resounding claps a few nights earlier. With the daytime blazes of the hottest days and nighttime pounding of the rain gods, she made a striking entrance through the eternal gates; casting off stick and ailments to sit at the Master’s feet and rest. With delight she lifts up her heart, finally free, finally ready to let go and make the journey home to abide with her ancestors. We salute you Mrs Washington - thank you for claiming us as family, and me as one of your daughters. I looked for and saw your vital force in the rainbow on your nine night - signalling your majestic transition, that you too could manifest in the elements if there is anyone to bear witness. Stride aloft My dear Mrs Washington because for you this tiring trod through Babylon is at last over - mount Zion is now your new, eternal home.
The rainbow, splashed on Mrs Washington Nine night. There was only spitting, it was near night - but the vital sign was there.
Shout Out
Way wive wordz provides moments of contemplation. These Warrior Shouts free the spirit from the dominance of ego consciousness. They activate intuition, breathing renewed energy into the soul force. Reactivating the soul's significance is a gateway to creativity and expansion; the eternal rhythm within everything. Introspection fulfills the soul's yearnings, connecting us to the path (or Way) of our becoming.
Saturday, 2 August 2014
Wednesday, 2 July 2014
Searching for and Finding our Heroes
A capacity audience filled the V&A Lecture theatre on Sunday 8th June 2014. We were invited to “Search For the Hero” and were treated to a magical afternoon of cultural performances, tributes and celebration as the Huntley Biography Project was launched and the story of our heroes came alive.
TELEPHONE CONVERSATION
Whilst others lapped up the gorgeous sunshine in the grounds outside, something enchanting was being experienced inside the museum. We were taken on a journey back to the future, reliving the experiences of African and Caribbean migrants, recalling their hopes and dreams, appreciating their hard work and contributions to a society where they were often unwelcomed. The aspirations for a better life were neatly folded into a single “grip” – a hardy suitcase with which many African Caribbean people travelled to the “motherland,” as it was then regarded. Actress Nataylia Roni’s sketch of this shared experience perfectly captured the sour-sweetness of that first arrival in the 1950s and 1960s.
THE GRIP
This was extended by Imhotep Oyortey’s depiction of the curious scrutiny by white Britons who found it difficult adapting to the complexion and wave of their new Black neighbours. He gave a humorous and charismatic performance of Wole Soyinka’s incisive poem – “The Telephone Conversation”.
MAMA AFRICA
The duo later reunited on stage to take us on a deeper journey, back to the history and memory of African Caribbean people. As well as the experience of migration, there was the shared history of enslavement and colonisation; the reason that led to them travelling in search of opportunities outside their respective homes. Their psychological survival depended on remembering the ancestral wisdoms of Mother Africa. In a poignant and compelling performance of Mervyn Weir’s script, Nataylia and Imhotep urged us to keep alive the memory of Mother Africa by working together, having respect for each other and building our communities. Mervyn in fact, wrote this as a tribute to Jessica, capturing her wisdom and passion to pass on our rich legacy to the youth.
Nataylia Roni's grip sketch
Imhotep Oyortey
Nataylia as Mama Africa/Jessica Huntley
ORDINARY PEOPLE
Although the Huntleys came as ordinary people who would face inequality and obstacles relating to cultural differences, these ordinary people would go on to do extraordinary things. We were reminded by hosts and organisers of the event, Marge Lowhar and Mervyn Weir that the Huntleys were ‘humble, prepared to stay in the background’ heroes. They dedicated their lives to the struggle for justice, equality and self-determination for African Caribbean people in the UK and abroad.
‘AH SOH DEM SEH’
One of the heroic achievements of the Huntleys was co-founding Bogle L’Ouverture Publications, which was among few Black owned publishers during the 1960s and 70s. The event opened with Valerie Bloom’s reading of one of her poems – “ah soh dem seh” – providing a lyrical sample of Jamaican dialect and social commentary. Her collection of poems Touch Mi, Tell Mi was published by Bogle L’Ouverture precisely because it brings to life the culture and sound of Jamaica, reminding migrants of home and affirming their identity.
DOING NOTHING IS NOT AN OPTION
Though humble, the Huntleys were formidable, both Eric and Jessica having strong views about the ways things might be done. Their different approaches but agreement that something should be done was outlined by Margaret Andrews, author of their biography Doing Nothing is not an Option: the radical lives of Eric and Jessica Huntley. In the introduction she writes that the Huntleys are “symbols of courage, dignity and self-sacrifice,” whose “modesty makes it difficult for them to accept deserved praise for their contributions to Black communities in the UK and other parts of the world.”
NEW HEROES
There was the inevitable promise of continuity when we heard the radical rendition that “doing nothing is not an option – it doesn’t matter if it cause an eruption” from Eric and Jessica’s great grandchildren, Zachary and Tafari Osei. This journey now into the future was revealing new heroes for “injustice must be defeated but it won’t be by those we elected,” as their chanting went on.
Valerie Bloom performing ah so dem seh (Photo: Eddie Ossei)
Margaret Andrews discusses her biography, Doing Nothing is not an Option with Marge Lowhar
Chauncey, Kai, Zachary and Tafari, next generation Huntleys performing "Doing Nothing is not an Option"
THE ROSA PARKS OF THE UK
Other young people who made up a fair proportion of audience and performers expressed that they were inspired and motivated by the work of the Huntleys. Spoken Word artist Onysha Collins – who performed one of her poems said “I was inspired to learn that there were contemporary activists in Britain that I hadn’t known about when I was younger. So it is an honour to be part of the event.” Her poem was a tribute to Harriet Tubman who liberated many enslaved Africans during the American Civil War. She was one of many African heroes absent from Onysha’s year 8 history class – where she didn’t learn about “Africans seeking life” and “holding on to generational pride.” For fellow spoken word artist Imhotep Oyortey the Huntleys “are the Rosa Parks of the UK, frontline activists, contributing to art, culture and history.”
IF THEY CAN DO IT, I CAN DO IT
Rio, a young member of the audience said he was pleased to learn about the different cultural things the Huntley brought to the UK. He found the poetry educational and would be happy to tell his friends about the event. Teenager Infinity, who has written and published her own collection of poems, said she enjoyed learning about the lives of the Huntleys and how many people they affected. “A lot of people need encouraging,” she said. “And if they can do it, I can do it.”
WEBSITE LAUNCHED
The launch of the website aims to provide easy access to learning materials about the contributions the Huntleys have made to the cultural, social and political landscape in the UK. Eric Huntley was called to the stage to press the online button, symbolic of the ribbon cutting ritual that gave us the first view of the live website. This historic moment was particularly special because it extends the Huntleys’ journey from humble but impressive beginnings in publishing into the age of modern technology.
This online resource will give greater presence to their work and that of the communities they support. The organisers of the event shared their aspiration that schools, educators, young and adult learners would make use of the resource. Leah Gordon, a secondary school teacher said about the event: “the launch gave a really good overview of the Huntleys’ contribution to our community. The cultural performances were fantastic! They were truly heartfelt and appealed to all ages. The website looks great. I will be working the free educational resources into the Black History Month programme at my school.”
Eric Huntley presses button to launch Huntleysonline website
JESSICA REMEMBERED
For some time there was an empty stool, just to the left of the stage. If not intentionally, it wouldn’t take much for the audience to imagine why it was there. Jessica Huntley knew of the project but did not live to see its fulfilment. Part of the enchantment of the afternoon was that one could picture her sitting on that stool left of centre stage. Flautist Keith Waite’s musical tribute to Jessica was added to the wonderful, dreaminess of the afternoon; beautifully evoking not only her spirit but the vivid, rainforest sounds of the Huntleys’ birthplace Guyana.
Our spirits were further uplifted by the powerful musical performances of gospel singer and jazz vocalist Celia Wickham-Anderson. Her slow, deliberate interpretation of Mariah Carey’s “Hero” appropriately set the mood for the afternoon. There were many heroes among us. The Huntley Biography project could not have been possible without the heroes of the organisation Krik Krak who decided that it needed to be done; who put their ideas to action and applied to the Lottery Heritage Fund through which it was then made viable. It showed what can be accomplished with conviction, self-belief and love; when like the heroic lives we were there to honour it was recognised that “doing nothing is not an option.”
Onysha Collins reciting poem
"I will make use of the online resources for Black History Month at my school", Leah Gordon
"If they can do it I can do it!" - says Infinity.
Marge Lowhar, Krik Krak
Mervyn Weir of Krik Krak, organisers of the project and launch.
GONE BUT NOT FORGOTTEN
Celia reinterpreted Marvin Gaye’s song “Abraham, Martin, John” to honour Black female contributors to liberation, independence and creativity. Against their images beaming from the screen she sang these words, moving many to tears: “has anybody here seen my old friend Harriet … can you tell me where she’s gone…Has anybody here seen my old friend Claudia, you know she always fought for equality, transforming our society, I looked around and she was gone…Has anybody here seen my sister Maya, she gave us words and still I rise, I looked around and she was gone…Has anybody here seen our good friend Jessica, can you tell me where she’s gone … mother, friend, sister and wife, building community was her life, I just looked around and she was gone…”
Gone but they left behind powerful legacies from which we can continue to build.
Finally in closing, everyone rose to their feet to mark our appreciation for the radical lives of Jessica and Eric Huntley. Drum beats played us out, “if I had wings like a dove, I would fly, fly away…” livelying up the otherwise quiet Sunday at the museum. But the love and energy was so magnetic we didn’t want to leave, not even to embrace that other kind of sunshine outside. We came in search of heroes, we found them, but more than that, we left inspired and challenged to be the heroes for the next generation.
gospel singer and jazz vocalist Celia Wickham-Anderson
Keith Waite pays tribute to Jessica Huntley.
Shout Out
This Shout is also printed at www.Huntleysonline.com blog.
Most of the photos used were taken by Eddie Osei, I use them with courtesy.
Thursday, 29 May 2014
Spirit of Aliveness II: The Joyful Anguish of Love
Iset by Imhotep Richards
Dedicated to Elder Maya Angelou, April 4th 1928 - May 28th 2014
Thank you for your inspiring way wive wordz
Ascension Lotus
Created by Hakan Hisim (http://hakan.moonfruit.com)
Possibly created by Celia Loving
Ahkenaten and Nefertiti by Lee Reex
A sudden impulse interrupts the stillness of these silent, morning hours. Something enchanting is happening that only your spirit knows. You’ll want to but find it impossible to describe the sensation to others. And were you careful to contain the magic you would not attempt to speak the feeling into the grimness of material expression. Instead you would embrace the secret rhythm of its contours. You would marvel at the absolute perfection of the indulgent mystery that only you alone are experiencing. Those sunken eyes, waning smiles, frivolous chatter that had maligned your ears now affirm that only you are in this sacred moment - immersed in this vitalising tranquillity. Such is the delightful brazenness of this particular love. It expects you to attend completely to its variant tides: sweetening bitter memories, embittering ecstasies. Those tides demand your earnest control. And yet beg you to completely let go. You are afraid of what you have always known and distrust what for so long you considered safe. But there had never been any promises – no one had told you so. All this has been summoned by you somehow. How can you reject what you have conjured beyond wilful imagination? Can this gracious blessing be so utterly accursed? The tenderness is strumming something terrifying yet prompting you to yield. And you want to. The touch would render magnetic those dormant dreams, embolden your slack feet to refine some new dance. Your stilted smiles would reclaim their vibrancy. Gone would be the frivolity scorching your ears; instead you would arise to the musings of migrating birds, the whisperings of a nearby river, subtle melodies in the trees. Something meddling stirs your uncertainty – there is little comfort in these unknown pleasures. But this particular joy anointing you with its kind of love feels so wonderful, radiating every part of you. The heaviness in your head mirrors the giddy flutterings in your heart. You do not wish to deny the delight nor the ache - glistening your eyes with such blissful sadness. Everything seems gloriously enchanted like the tumbling to earth of a million and more stars. The light overwhelms you. But the spark is yet delicate, though wary of touch. You squeeze your eyes shut willing the enchantment to last. For there in the deep stillness myriad connections are made, the alignment precise and dazzling. Although your spirit knows you dare not ask for a name, to annul this sumptuous illusion. The only decision you seem able to make is to remain in the graceful pose lest even the gentlest waver disturbs the golden glow. Yet the stillness feels like a haunting perpetrator; disquieting its own sanctuary. Some vague impression of that orange flame comforts you, lets you know nothing is wrong. You feel somehow able to let go, as though this exhilarating orb is your newest haven. Still a kind of fear cripples the will to embrace the freedom – to drift toward the charming elation, the scintillating flight. In the inevitable dizziness you reach for some outstretched hand. No hand returns the passionate plea and your fingers recoil from the loneliness. A burst of inverted pleasure electrifies the isolated tips of those reaching fingers and from it a new unexpected etiquette of the imagination emerges. What you are experiencing does not plead for eager subscription, enforced surrender. The yield must manifest entirely from you, rerouting the purpose of everything. Your soul weighs on you like a mysterious mountain. You gasp pathetically – a sort of weariness consuming your will. You have the urge to rise and leave without moving. Inaction confirms your truest desire – a seedless aspiration. You reach toward the embers of a dulled imagination for a secret hiding place, wishing some precious memory might guide you there. For this magnificent spiritual meander must end now. It brings with it a kind of exquisite misery, a tormenting gaiety that you adore and shun. Your prayers to those exuberant gods were for simple happiness. How must you receive this gift from them – a sign of their unrestrained manners pitching your heart against its ordinary rhythm? But you have been here before. It is no new story. Why now this blind struggle to navigate the path? Does your soul not possess the skill of mediation, lighting the path to your subconscious? Regard the garments you have retained for the return journey. Do these no longer fit - especially for the beguiling crossroads? Be fearless and elevate your heart, be engaged for the strongest tide, prepare for the sharpest turn; await those resplendent wings gliding toward you. The fastening will be swift. So take care to relearn the lost familiar routes and adorn your spirit to attain the heights of your divine ascension.
Ausar
Mother Earth by Ejiba Ebenebe
Soul by Sha-Nee Williams
Accelerated Ascension
Shout Out
Dedicated to Elder Maya Angelou, April 4th 1928 - May 28th 2014
Thank you for your inspiring way wive wordz
Ascension Lotus
Created by Hakan Hisim (http://hakan.moonfruit.com)
Possibly created by Celia Loving
Ahkenaten and Nefertiti by Lee Reex
A sudden impulse interrupts the stillness of these silent, morning hours. Something enchanting is happening that only your spirit knows. You’ll want to but find it impossible to describe the sensation to others. And were you careful to contain the magic you would not attempt to speak the feeling into the grimness of material expression. Instead you would embrace the secret rhythm of its contours. You would marvel at the absolute perfection of the indulgent mystery that only you alone are experiencing. Those sunken eyes, waning smiles, frivolous chatter that had maligned your ears now affirm that only you are in this sacred moment - immersed in this vitalising tranquillity. Such is the delightful brazenness of this particular love. It expects you to attend completely to its variant tides: sweetening bitter memories, embittering ecstasies. Those tides demand your earnest control. And yet beg you to completely let go. You are afraid of what you have always known and distrust what for so long you considered safe. But there had never been any promises – no one had told you so. All this has been summoned by you somehow. How can you reject what you have conjured beyond wilful imagination? Can this gracious blessing be so utterly accursed? The tenderness is strumming something terrifying yet prompting you to yield. And you want to. The touch would render magnetic those dormant dreams, embolden your slack feet to refine some new dance. Your stilted smiles would reclaim their vibrancy. Gone would be the frivolity scorching your ears; instead you would arise to the musings of migrating birds, the whisperings of a nearby river, subtle melodies in the trees. Something meddling stirs your uncertainty – there is little comfort in these unknown pleasures. But this particular joy anointing you with its kind of love feels so wonderful, radiating every part of you. The heaviness in your head mirrors the giddy flutterings in your heart. You do not wish to deny the delight nor the ache - glistening your eyes with such blissful sadness. Everything seems gloriously enchanted like the tumbling to earth of a million and more stars. The light overwhelms you. But the spark is yet delicate, though wary of touch. You squeeze your eyes shut willing the enchantment to last. For there in the deep stillness myriad connections are made, the alignment precise and dazzling. Although your spirit knows you dare not ask for a name, to annul this sumptuous illusion. The only decision you seem able to make is to remain in the graceful pose lest even the gentlest waver disturbs the golden glow. Yet the stillness feels like a haunting perpetrator; disquieting its own sanctuary. Some vague impression of that orange flame comforts you, lets you know nothing is wrong. You feel somehow able to let go, as though this exhilarating orb is your newest haven. Still a kind of fear cripples the will to embrace the freedom – to drift toward the charming elation, the scintillating flight. In the inevitable dizziness you reach for some outstretched hand. No hand returns the passionate plea and your fingers recoil from the loneliness. A burst of inverted pleasure electrifies the isolated tips of those reaching fingers and from it a new unexpected etiquette of the imagination emerges. What you are experiencing does not plead for eager subscription, enforced surrender. The yield must manifest entirely from you, rerouting the purpose of everything. Your soul weighs on you like a mysterious mountain. You gasp pathetically – a sort of weariness consuming your will. You have the urge to rise and leave without moving. Inaction confirms your truest desire – a seedless aspiration. You reach toward the embers of a dulled imagination for a secret hiding place, wishing some precious memory might guide you there. For this magnificent spiritual meander must end now. It brings with it a kind of exquisite misery, a tormenting gaiety that you adore and shun. Your prayers to those exuberant gods were for simple happiness. How must you receive this gift from them – a sign of their unrestrained manners pitching your heart against its ordinary rhythm? But you have been here before. It is no new story. Why now this blind struggle to navigate the path? Does your soul not possess the skill of mediation, lighting the path to your subconscious? Regard the garments you have retained for the return journey. Do these no longer fit - especially for the beguiling crossroads? Be fearless and elevate your heart, be engaged for the strongest tide, prepare for the sharpest turn; await those resplendent wings gliding toward you. The fastening will be swift. So take care to relearn the lost familiar routes and adorn your spirit to attain the heights of your divine ascension.
Ausar
Mother Earth by Ejiba Ebenebe
Soul by Sha-Nee Williams
Accelerated Ascension
Shout Out
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